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The Russian composer Sofia Gubaidulina, who died on Thursday at 93, was that rare creature: an artist both fully modern and sincerely spiritual. “I am convinced that religion is the kernel of all artipirangapg,” she said in a 2021 interview.

That is hardly a universal worldview these days. The era of Palestrina and Bach, who aimed to glorify God with their work, is centuries past. Music that is adventurous, religious and great is unusual in our secular time, and some of the most significant was written by Gubaidulina.

Hers was never a soothing or tuneful faith. Her music is darker and more bracing than that of, say, Arvo Pärt, whose minimalist spirituality has been co-opted for meditation playlists.

Gubaidulina’s work is not the kind of thing you put on during morning yoga. She makes sounds of struggle and disorder; of awaiting some signal from beyond with hushed anxiety; of the strenuous attempt to bridge the gap between humans and the divine. Transcendence, if and when it arrives, is hard won.

“They looked at her like she had four heads,” said Debbie Mesloh, Ms. Harris’s communications director at the time, about her appearance a month later at the district attorneys’ conference in Santa Barbara, a conclave of conservative,66br cassino throw-the-book-at-them prosecutors.

The idea, briefly floated behind closed doors, seemed to fizzle, and Mr. Trump did not publicly repeat it as experts questioned whether such a model would even be possible. But in the weeks since, Mr. Trump has floated ideas that, taken together, would fundamentally change the way Americans are taxed, eroding the income tax while embracing expansive tariffs as a way to raise federal revenue.

Inspired by Psalm 130, “De Profundis” (1978), a wrenching solo for the bayan, the Russian accordion she loved, begins in the instrument’s depths and rises to harshly radiant heights. Stark focus suffuses “The Canticle of the Sun” (1997), written for the cellist Mstislav Rostropovich, a small choir and percussion, and based on a song by St. Francis praising God. Her grand St. John Passion (2000) has apocalyptic force.

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